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Claire Stadtmueller, Lyric Soprano 
website: www.bravasoprano.com Soprano Claire Stadtmueller made her Carnegie Hall debut in Beethoven's Missa Solemnis. Egon Stadelman wrote for the New Yorker Staats-Zeitung: "Of the solo quartet, soprano Claire Stadtmueller was by far the most outstanding. She enjoyed a star moment and took advantage of it to the loudly exclaimed enthusiasm of the audience." Maestro David Randolph of the St. Cecilia Chorus and Orchestra immediately reengaged her for Mozart's Mass in C Minor and Requiem, about which Mr. Stadelman wrote : "Of the soloists, Claire Stadtmueller stood out considerably; her timbre and demeanor reminded me of Elisabeth Schwarzkopf." She has since performed at Carnegie Hall in Handel's Israel in Egypt, Mendelssohn's Second Symphony, Bach's Christmas Oratorio and St. Matthew Passion, and this past season, in Orff's Carmina Burana. Other engagements last season include Shubert's Stabat Mater and Bach's Cantata 21 in New York. She was also engaged by the Alliance Francaise of Providence to sing selections from her CD Sweet Peace for their Francophonie celebration. Following her performance, she was invited to audition this fall in Paris for the French National Opera Theatre. Ms. Stadtmueller has appeared at Lincoln Center 's Avery Fisher Hall, and on National Public Radio's A Prairie Home Companion and WGBH Boston's Classics in the Morning. Opera roles she has performed include the title role in Donizetti's Lucia di Lammermoor, the Mozart roles of Pamina (The Magic Flute), Fiordiligi (Cosi fan tutte) and Miss Silverpeal (The Impresario); Rosario in Granados' Goyescas, the Mother in Menotti's Amahl and the Night Visitors and the Dew Fairy in Humperdinck's Hansel and Gretel. She created the leading role of Persephone in the world premiere of Geoffrey Gibbs' opera Potnia. As a recitalist, Ms. Stadtmueller has performed at Carnegie Hall's Weill Recital Hall, at New York City's Trinity Church, and on numerous concert series programs in New Jersey, Rhode Island and Massachusetts. She was engaged by Rhode Island 's Composer in Residence, Barbara Kolb, to perform several programs of new classical and jazz works. Ms. Stadtmeuller's solo CD, Sweet Peace, is a collection of international songs that celebrate peace or express the tragedy of war. Mezzo-soprano Frederica von Stade and composer Ned Rorem have praised it as "very beautiful." It has been heard on WGBH Boston, WBAI New York and WHJJ Providence. OPERATIC ROLES PERFORMED
ORATORIO PERFORMED
Radio Appearances Awards A Prairie Home Companion, National Public Radio Classics in the Morning, WGBH, Boston, Ron Della Chiesa, host Second Prize, National Society of Arts and Letters, NJ Chapter Finalist, Opera at Florham/Violetta duPont Competition TRAINING Voice Teachers: Maria Spacagna, Thomas Lawlor, Bruce Norris, David Jones, Pamela Kucenic, Gigi Mitchell and Noel Velasco. Directors: Thomas Lawlor, Patricia Norcia Edwards. Conductors: David Randolph, Julian Wachner, Francisco Noya, Per Brevig, Italo Marchini, Sybille Werner, Michelle Graveline. Coaches: William Hicks, Earl Buys, Ettore Compogagliani, Felix Popper, Michael Strauss Acting: Jay Lesenger, Patricia Weinmann. EDUCATION New England Conservatory, BM with Honors; University of Rhode Island, MM Skills Certified Practitioner of Reconnective Healing. Former champion equestrienne. Tennis Languages English, Conversant in German and Italian. Reviews Carnegie Hall Debut: "Of the solo quartet, soprano Claire Stadtmueller was by far themost outstanding.She enjoyed a star moment and took advantage of it to the loudly exclaimed enthusiasm of the audience."--New Yorker Staats-Zeitung "Of the soloists Claire Stadtmueller stood out considerably, her timbre and demeanor reminded me of Elisabeth Schwarzkopf."--New Yorker Staats-Zeitung "Claire Stadtmueller soared on the gloriously beautiful solos."--Princeton Packet"Claire Stadtmueller -- an elegant solo voice" --Westfield Leader "She soared through the Mozart, alternately whispering or ringing out with startling ease.”-Cranston Herald “...she is quite obviously a soprano of great color, drama and technique.” --Worcester Telegram, Mendelssohn’s Elijah, Mechanics Hall |
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